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Urban Poverty


by Phillip Evergood

From a privileged background, Evergood’s education and lifestyle were paid for by his wealthy family.  He was deeply moved by his first exposure to New York City’s poor. 

During a nighttime walk in the winter, he encountered a group of homeless men, huddled around fires in make-shift shelters.  He was so affected by these men and their plight that he remained with them all night, talking with them and sketching them. 

Spring eventually grew out of these drawings and is a condemnation of the city’s widespread poverty.  The wheelless car symbolizes the near impossibility of social or economic mobility for these men, but Evergood also placed the delicate white flower in the bottom left corner to suggest hope.

(Pohl 16)

Learn more about this artist:

Artist Biography

Lesson Plans

Phillip Evergood - Spring

Philip Evergood, Spring, 1934.  Oil on Canvas, 25 x 30 in.

Museum Purchase, Derby Fund, from the Philip J. and Suzanne Schiller Collection of American Social Commentary Art 1930-1970

Within Urban Poverty...
Ida Abelman Francis Chapin Phillip Evergood George Gilbert Irwin Hoffman Morris Huberland Elizabeth Olds Moses Soyer Raphael Soyer

Rural Poverty Urban Poverty Anti-Poverty Efforts Fall Short Labor Disputes
Ida Abelman
Thomas Hart Benton
Lucienne Bloch
Harry Brodsky
Paul Cadmus
Francis Chapin
Jack Delano
Phillip Evergood
George Gilbert
Hugo Gellert
Joseph Hirsch
Irwan Hoffman
Morris Huberland
Meritt Mauzey
Elizabeth Olds
Walter Quirt
Moses Soyer
Raphael Soyer
Lynd Ward

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